MYTHS ARE PUBLIC DREAMS;
DREAMS ARE PRIVATE MYTHS
Every
culture has crafted myths. The more ancient the civilization, the more myths
played a role in the lives of its people. The Greeks and Romans, East Asians
and Indians, Native Americans, and the British all had hundreds of myths. Some
were about creation, the seasons, discovering fire, the afterlife, and strange
beasts. Today, some people believe that, because of our spiritually empty
lives, we are living in a new era of myth creation?
At the forefront of this
new “mythological resurgence” are the numerous films that present us with new
superheroes on quests to fight society’s evils. We have Star Trek, Superman,
Star Wars, Indiana Jones, the Matrix, the Dark Knight, Avatar, and many others.
Now the “Avengers,” with a whole group of mythic characters, has emerged -
refueling the idea that a new modern mythology is being created.
Is
modern cinema creating myths for our own time?
In order to evaluate
whether contemporary story telling is modern myth building, one has to
appreciate the subtle difference between a “myth” and a “parable.” Both are
stories and both are created by man. But
a myth explains, while a parable instructs.
A MYTH is a story, usually of a vague
origin, which tries to explain or rationalize some aspect of the world or a
culture. All myths are, at some point, believed to be true by the people in the
culture that originated or used the myth as an explanation. It’s true that some myths might refer to an
actual event, but embellishment over time makes it impossible to determine what
really happened.
Author Ann Druyan wrote,
“For most of the history of our species, we were helpless to understand how
nature works. We took every storm, drought, and illness personally. We created
myths in an attempt to explain the patterns of nature.”
A PARABLE is another similar, but distinct, type of story. Parables
(and allegories) are purposely created stories that illustrate morals and instruct
us in the standards of behavior, but were never assumed to be true by anyone.
Some stories are a
combination of both myths and parables. The Bible is an example. The Old
Testament tends to be more mythic; the New Testament tends to be more
parable-oriented. This is not a judgment about truthfulness, but the drawing of
a
distinction
between the purposes of each type of story.
Before
getting back to the issue of whether modern cinema is producing new myths, we
have to refer to the ideologies of Joseph Campbell and Carl Jung. Joseph
Campbell, a mythological scholar, released a book called “The Hero With a
Thousand Faces” in 1949. He proposed the idea that myths from all over the
world seemed to be built around the same elementary ideas. Psychiatrist Carl
Jung called these elementary ideas “archetypes.” Jung believed that they are innately
created in the unconscious human mind and that every person uses the same basic
archetypes. Campbell and Jung agreed that even people from different cultures,
and who speak different languages, can understand and enjoy the same stories.
Campbell took the idea of the archetype and used it to define the structure of
myth; any myth, including Egyptian, Greek, Roman, or Japanese. He wrote that
all stories are expressions of the same story pattern, which he named the
“Hero’s Journey.”
George Lucas used Campbell’s
work extensively to unify and focus the narrative of his Star Wars films. The
hero’s journey included the call to adventure, leaving of the mundane world, a
road with many trials, the temptation away from the true path, and final
reconciliation with the father. All of the archetypal characters were there -
the mentor, the oracle, the prophecy, and the failed hero.
Lucas
said that he studied myth and deliberately attempted to construct one in Star
Wars. He said that it was part science fiction, part old movies, and part
American values all held together by the standard pattern of the mythic hero’s
journey. Star Wars was released during a period of Vietnam and Watergate when
the line between good and evil was unclear. In the absence of any shared contemporary
myths, George Lucas may have created a satisfactory new mythology for modern
society.
There is no question that
Star Wars and other contemporary films used mythic elements: heroes, journeys,
conflicts, and reconciliation. But are they new myths? Or even myths at all?
We keep thinking back to
our more conservative definition of a myth and a parable. A myth is a story
that explains or rationalizes some aspect of a culture. They are, at some point
in time, believed to be true by the people in the culture that use the myth as
an explanation. A parable, on the other hand, is a story or journey that
illustrates morals and standards of behavior, but is never assumed to be true
by anyone.
Using
these definitions, it appears that most films that use mythic elements are
probably closer to being parables. The pioneering spirit of the crew of the
Starship Enterprise, the determination of Luke Skywalker to be different than
his father, and the revenge of the humans against the machines in “The Matrix”
all offer valuable moral principles, but they instruct not explain.
In the end, both myths and
parables can serve many purposes. Their fantastic and unreal nature, ancient or
modern, should not prevent us from enjoying them.